Science and Art: The Contemporary Painted Surface
Science and art are increasingly interconnected in the activities of the study and conservation of works of art. Science plays a key role in cultural heritage, from developing new analytical techniques for studying the art, to investigating new ways of preserving the materials for the future.
Following on from the 2014 title Science and Art: The Painted Surface, this book consists of a series of chapters written together by scientists, art historians, conservators, curators and artists dedicated to conservation, execution techniques, languages and conceptual topics. Science and Art: The Contemporary Painted Surface largely covers execution techniques, material’s conservation and languages of artists, representative of twelve different countries, all protagonists of the development of innovative significant techniques and methodologies.
The book opens with a focus on widely historicized artists, such as Jackson Pollock, Lucio Fontana, Enrico Baj, Piero Manzoni and Joseph Albers. Its core is dedicated to the work of major worldwide renowned living artists, in a perspective that, while considering the Sixties as the historical starting point of contemporaneity, does not neglect to offer a view on the work done in the immediately preceding years. Several interviews with artists are included. Final chapters are dedicated to contemporary design, net art, and painted surfaces in contemporary architecture.
Presented in an easily readable form for a large audience, the book guides readers into new areas uncovered by the link between science and art, and will be of interest to artists, art historians and curators, as well as those who appreciate art.
Reviews of Science and Art: The Painted Surface
'Science and Art provides an excellent read for art historians, who will instantly recognise the famous pieces that have been studied, while giving them insight into how a painting was constructed, what it is made from, or how the colours would have looked when they were freshly painted.'
Chemistry World, 6 November 2014
'Science and Art is recommended for students, teachers, and the general public who are interested in chemistry or other sciences and art, as well as applications of the former to the latter.'
J. Chem. Educ., 2016, 93(5), 810–810
Science and Art: The Contemporary Painted Surface, The Royal Society of Chemistry, 2020.
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Table of contents
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CHAPTER 1: Jackson Pollock's Drip Paintings: Tracing the Introduction of Alkyds Through Non-invasive Analysis of Mid-1940s Paintingsp1-18ByFrancesca Rosi;Francesca RosiCNR-Istituto di Scienze e Tecnologie Chimiche (SCITEC)PerugiaItalySearch for other works by this author on:Costanza Miliani;Costanza MilianiCNR-Istituto di Scienze del Patrimonio Culturale (ISPC)NaplesItalySearch for other works by this author on:John Delaney;John DelaneyNational Gallery of ArtWashington DCUSASearch for other works by this author on:Kathryn Dooley;Kathryn DooleyNational Gallery of ArtWashington DCUSASearch for other works by this author on:Lena Stringari;Lena StringariSolomon R. Guggenheim FoundationNew YorkUSASearch for other works by this author on:Luciano Pensabene BuemiLuciano Pensabene BuemiSearch for other works by this author on:
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CHAPTER 2: Piero Manzoni, Achromes: An Initial Investigation into the Chemical and Technical Characterization of the Artist's Materials1p19-38ByRosalia Pasqualino di Marineo;Rosalia Pasqualino di MarineoSearch for other works by this author on:Luca Bochicchio;Luca BochicchioUniversity of Genova – MuDA/Asger Jorn House MuseumAlbissolaItalySearch for other works by this author on:Luisa MensiLuisa MensiIUAV UniversityVeniceItalySchool of Restoration of the Brera Academy of Fine ArtsMilanItalySearch for other works by this author on:
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CHAPTER 3: 1949–1968 Concetti spaziali by Lucio Fontana: A Historical-artistic and Technical Studyp39-66ByLuca Massimo Barbero;Luca Massimo BarberoAssociate Curator Peggy Guggenheim Collection VeniceItalySearch for other works by this author on:Francesca Caterina IzzoFrancesca Caterina IzzoCà Foscari University of Venice, Department of Environmental Science, Informatics and StatisticsVia Torino 155/b30174Venezia MestreItalySearch for other works by this author on:
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CHAPTER 4: Josef Albers' Use of 20th Century Pigments: A Non-invasive Analytical Approachp67-94ByGianluca Poldi;Gianluca PoldiUniversità degli Studi di Bergamo, Visual Art CentreVia Pignolo 12324121BergamoItaly[email protected]Search for other works by this author on:Chiara Anselmi;Chiara AnselmiCNR-IRETvia G. Marconi 205010Porano (TR)ItalySearch for other works by this author on:Alessia Daveri;Alessia DaveriLaboratorio di Diagnostica Beni CulturaliSpoletoItalySearch for other works by this author on:Manuela VagniniManuela VagniniLaboratorio di Diagnostica Beni CulturaliSpoletoItalySearch for other works by this author on:
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CHAPTER 5: From Identification to a New Insight of Preservation Theory for Contemporary Art: Innovative Approaches to Complex Care in Alina Szapocznikow Case Studiesp95-116ByIwona Szmelter;Iwona SzmelterFaculty of Conservation-Restoration of Artworks, AFAWybrzeze Kosciuszkowskie 3700-379 WarsawPolandInterdepartmental Division “Novum” for Care and Conservation of Modern and Contemporary ArtWarsawPoland[email protected]Search for other works by this author on:Joanna KurkowskaJoanna KurkowskaFaculty of Conservation-Restoration of Artworks, AFAWybrzeze Kosciuszkowskie 3700-379 WarsawPolandDepartment for Research and Documentation Techniques, AFAWybrzeze Kosciuszkowskie 3700-379 WarsawPolandSearch for other works by this author on:
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CHAPTER 6: The Colors of Lina Bo Bardi: Analytical Investigations of Lina's Felt-tip Pensp117-138ByGiulia Germinario;Giulia GerminarioDipartimento di Chimica, Università degli Studi di Bari “Aldo Moro”Via Orabona, 470125 BariItalySearch for other works by this author on:Inez D. van der Werf;Inez D. van der WerfDipartimento di Chimica, Università degli Studi di Bari “Aldo Moro”Via Orabona, 470125 BariItalyCentro Interdipartimentale “Laboratorio di Ricerca per la Diagnostica dei Beni Culturali”, Università degli Studi di Bari “Aldo Moro”70125 BariItalySearch for other works by this author on:Luigia Sabbatini;Luigia SabbatiniDipartimento di Chimica, Università degli Studi di Bari “Aldo Moro”Via Orabona, 470125 BariItalyCentro Interdipartimentale “Laboratorio di Ricerca per la Diagnostica dei Beni Culturali”, Università degli Studi di Bari “Aldo Moro”70125 BariItalySearch for other works by this author on:Brenda Doherty;Brenda DohertyIstituto CNR di Scienze e Tecnologie Molecolari (CNR-ISTM)via Elce di Sotto 8I-06123 PerugiaItalySearch for other works by this author on:Patrizia MorettiPatrizia MorettiIstituto CNR di Scienze e Tecnologie Molecolari (CNR-ISTM)via Elce di Sotto 8I-06123 PerugiaItalySearch for other works by this author on:
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CHAPTER 7: “Art is Not Science”: A Study of Materials and Techniques in Five of Enrico Baj's Nuclear Paintings1p139-168ByPatrizia Moretti;Patrizia MorettiIstituto di Scienze e Tecnologie Chimiche “G. Natta” - (CNR-SCITEC)PerugiaItalySearch for other works by this author on:Annalisa Chieli;Annalisa ChieliIstituto di Scienze e Tecnologie Chimiche “G. Natta” - (CNR-SCITEC)PerugiaItalySMAArt Centre and Department of Chemistry, Biology and Biotechnology, University of PerugiaItalySearch for other works by this author on:Aldo Romani;Aldo RomaniIstituto di Scienze e Tecnologie Chimiche “G. Natta” - (CNR-SCITEC)PerugiaItalySMAArt Centre and Department of Chemistry, Biology and Biotechnology, University of PerugiaItalySearch for other works by this author on:Chiara Ruberto;Chiara RubertoIstituto Nazionale di Fisica Nucleare (INFN), Sezione di FirenzeVia G. Sansone 1, Sesto Fiorentino50019 FlorenceItalySearch for other works by this author on:Lisa Castelli;Lisa CastelliIstituto Nazionale di Fisica Nucleare (INFN), Sezione di FirenzeVia G. Sansone 1, Sesto Fiorentino50019 FlorenceItalySearch for other works by this author on:Brunetto Giovanni Brunetti;Brunetto Giovanni BrunettiIstituto di Scienze e Tecnologie Chimiche “G. Natta” - (CNR-SCITEC)PerugiaItalySMAArt Centre and Department of Chemistry, Biology and Biotechnology, University of PerugiaItalySearch for other works by this author on:Antonio Sgamellotti;Antonio SgamellottiIstituto di Scienze e Tecnologie Chimiche “G. Natta” - (CNR-SCITEC)PerugiaItalySMAArt Centre and Department of Chemistry, Biology and Biotechnology, University of PerugiaItalySearch for other works by this author on:Laura CartechiniLaura CartechiniIstituto di Scienze e Tecnologie Chimiche “G. Natta” - (CNR-SCITEC)PerugiaItalySearch for other works by this author on:
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CHAPTER 8: On Video Art Preservation: A Conversation with Fabrizio Plessi1p169-190ByLisa ParoloLisa ParoloSearch for other works by this author on:
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CHAPTER 9: Arte Concreto Invención: Towards Industrialized Surface Aestheticsp191-207ByFernando Marte;Fernando MarteInstituto de Investigaciones sobre el Patrimonio Cultural, Universidad Nacional de San MartínBenito Quinquela Martín 1784Ciudad Autónoma de Buenos Aires (1296)Argentina[email protected]Search for other works by this author on:Pino Monkes;Pino MonkesMuseo de Arte Moderno de Buenos AiresAv. San Juan 350Ciudad Autónoma de Buenos Aires (1147)ArgentinaSearch for other works by this author on:Florencia Castellá;Florencia CastelláInstituto de Investigaciones sobre el Patrimonio Cultural, Universidad Nacional de San MartínBenito Quinquela Martín 1784Ciudad Autónoma de Buenos Aires (1296)Argentina[email protected]Search for other works by this author on:Marcos TasconMarcos TasconInstituto de Investigaciones sobre el Patrimonio Cultural, Universidad Nacional de San MartínBenito Quinquela Martín 1784Ciudad Autónoma de Buenos Aires (1296)Argentina[email protected]Instituto de Investigación e Ingeniería Ambiental (IIA-CONICET-UNSAM)Av. 25 de mayo y Francia, San MartínProvincia de Buenos Aires (1650)ArgentinaSearch for other works by this author on:
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CHAPTER 10: Judith Lauand: Art and Technology of a Brazilian Concrete Painterp208-224ByLuiz Antonio Cruz Souza;Luiz Antonio Cruz SouzaFederal University of Minas Gerais, LACICOR – Conservation Science Laboratory, School of Fine Arts – Federal University of Minas Gerais – UFMGAv. Pres. Antônio Carlos, 6627 – PampulhaBelo HorizonteMG31270-90Brazil[email protected]Search for other works by this author on:Alessandra Rosado;Alessandra RosadoFederal University of Minas Gerais, LACICOR – Conservation Science Laboratory, School of Fine Arts – Federal University of Minas Gerais – UFMGAv. Pres. Antônio Carlos, 6627 – PampulhaBelo HorizonteMG31270-90Brazil[email protected]Search for other works by this author on:Yacy-Ara Froner Gonçalves;Yacy-Ara Froner GonçalvesFederal University of Minas Gerais, LACICOR – Conservation Science Laboratory, School of Fine Arts – Federal University of Minas Gerais – UFMGAv. Pres. Antônio Carlos, 6627 – PampulhaBelo HorizonteMG31270-90Brazil[email protected]Search for other works by this author on:Rita Lages Rodrigues;Rita Lages RodriguesFederal University of Minas Gerais, LACICOR – Conservation Science Laboratory, School of Fine Arts – Federal University of Minas Gerais – UFMGAv. Pres. Antônio Carlos, 6627 – PampulhaBelo HorizonteMG31270-90Brazil[email protected]Search for other works by this author on:Humberto Farias de Carvalho;Humberto Farias de CarvalhoFederal University of Rio de JaneiroBrazilSearch for other works by this author on:Maria Alice Sanna Castelo Branco;Maria Alice Sanna Castelo BrancoFederal University of Minas Gerais, LACICOR – Conservation Science Laboratory, School of Fine Arts – Federal University of Minas Gerais – UFMGAv. Pres. Antônio Carlos, 6627 – PampulhaBelo HorizonteMG31270-90Brazil[email protected]Search for other works by this author on:Giulia GiovaniGiulia GiovaniFederal University of Minas Gerais, LACICOR – Conservation Science Laboratory, School of Fine Arts – Federal University of Minas Gerais – UFMGAv. Pres. Antônio Carlos, 6627 – PampulhaBelo HorizonteMG31270-90Brazil[email protected]Search for other works by this author on:
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CHAPTER 11: A New Substance Under the Sun: How Synthetic Polymers Were Selected and Transformed Into Works of Art by Ângelo de Sousa, Julião Sarmento and Lourdes Castrop225-248ByMaria Joao Melo;Maria Joao MeloFaculty of Sciences and Technology of NOVA University Lisbon, Department of Conservation and Restoration and LAQV-REQUIMTE2829-516 CaparicaPortugal[email protected]Search for other works by this author on:Joana Lia Ferreira;Joana Lia FerreiraFaculty of Sciences and Technology of NOVA University Lisbon, Department of Conservation and Restoration and LAQV-REQUIMTE2829-516 CaparicaPortugal[email protected]Search for other works by this author on:Sara Babo;Sara BaboFaculty of Sciences and Technology of NOVA University Lisbon, Department of Conservation and Restoration and LAQV-REQUIMTE2829-516 CaparicaPortugal[email protected]Search for other works by this author on:Ana Isabel Pereira;Ana Isabel PereiraFaculty of Sciences and Technology of NOVA University Lisbon, Department of Conservation and Restoration and LAQV-REQUIMTE2829-516 CaparicaPortugal[email protected]Search for other works by this author on:Maria Elvira Callapez;Maria Elvira CallapezUniversity of Lisbon, Centro Interuniversitário de História das Ciências e da Tecnologia1749-016 LisboaPortugalSearch for other works by this author on:María Jesús Àvila;María Jesús ÀvilaCentro de Artes Visuales, Fundación Helga de AlvearPizzaro 8CáceresSpainSearch for other works by this author on:Julião SarmentoJulião SarmentoStudio Julião SarmentoCapa RotaSintraPortugalSearch for other works by this author on:
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CHAPTER 12: Miquel Barceló: The Rotten and the Waste as a Fundamental Part of the Processp249-268ByIrene BiolchiniIrene BiolchiniSearch for other works by this author on:
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CHAPTER 13: Explosive Beauty: The Art of Cai Guo-Qiang†p269-291ByMichael Doutre;Michael DoutreGetty Conservation Institute1200 Getty Center DriveSuite 700, Los Angeles, CA 90049USASearch for other works by this author on:Tom LearnerTom LearnerSearch for other works by this author on:
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CHAPTER 14: There Are: Fabre's Visual Artp292-315ByGiacinto di PietrantonioGiacinto di PietrantonioSearch for other works by this author on:
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CHAPTER 15: Hockney, Hume and Chandra: Surface, Change and Conservationp316-337ByRebecca HellenRebecca HellenSearch for other works by this author on:
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CHAPTER 16: The Deep Meaning of Poetry: Eduardo Kac's Art of the Fundamental Processesp338-355ByPier Luigi CapucciPier Luigi CapucciSearch for other works by this author on:
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CHAPTER 17: When Surgery Meets Conservation: The Treatment of the Multi-material Sculpture Love Me by Sarah Lucasp356-373ByFabiola Rocco;Fabiola RoccoSUSCOR – University Structure in Science for Conservation, Restoration, Exploitation of Cultural Heritage, University of Turin in Cooperation with the Conservation – Restoration Center La Venaria RealeVia XX Settembre 18, Venaria Reale10078TurinItaly[email protected]Search for other works by this author on:Tommaso Poli;Tommaso PoliDepartment of Chemistry, University of Turinvia Giuria 710125TurinItalySearch for other works by this author on:Oscar Chiantore;Oscar ChiantoreDepartment of Chemistry, University of Turinvia Giuria 710125TurinItalySearch for other works by this author on:Antonio MirabileAntonio MirabilePaper Conservator11, rue de Bellefond75009ParisFranceSearch for other works by this author on:
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CHAPTER 18: Diagrams, Technology and New Materials: The Scientific Nature of Loris Cecchini's Artworksp374-389ByLuca Bindi;Luca BindiUniversità degli Studi di FirenzeItalySearch for other works by this author on:Loris Cecchini;Loris CecchiniLoris Cecchini StudioMilanItalySearch for other works by this author on:Biancalucia MaglioneBiancalucia MaglioneSearch for other works by this author on:
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CHAPTER 19: Spectral Revisions: A Colourful Expert Conversationp390-403ByKonrad ScheurmannKonrad ScheurmannSearch for other works by this author on:
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CHAPTER 20: Painting with Acrylics: José Gutiérrez, Gunther Gerzso and the Material Innovation in Mexican Contemporary Paintingp404-430BySandra Zetina;Sandra ZetinaLaboratorio Nacional de Ciencias para la Investigación y Conservación del Patrimonio Cultural (LANCIC) Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de MéxicoCircuito Mario de la Cueva s/n, Coyoacán04510Mexico CityMexico[email protected]Search for other works by this author on:José Luis Ruvalcaba-Sil;José Luis Ruvalcaba-SilLANCIC Instituto de Física, Universidad Nacional Autónoma de MéxicoCircuito de la Investigación Científica s/n, Coyoacán04510Mexico CityMexicoSearch for other works by this author on:Rebeca Barquera;Rebeca BarqueraLaboratorio Nacional de Ciencias para la Investigación y Conservación del Patrimonio Cultural (LANCIC) Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de MéxicoCircuito Mario de la Cueva s/n, Coyoacán04510Mexico CityMexico[email protected]Search for other works by this author on:Nitziné Ocampo-Ávila;Nitziné Ocampo-ÁvilaLANCIC Instituto de Física, Universidad Nacional Autónoma de MéxicoCircuito de la Investigación Científica s/n, Coyoacán04510Mexico CityMexicoSearch for other works by this author on:Alejandro Mitrani;Alejandro MitraniLANCIC Instituto de Física, Universidad Nacional Autónoma de MéxicoCircuito de la Investigación Científica s/n, Coyoacán04510Mexico CityMexicoSearch for other works by this author on:Miguel Maynez;Miguel MaynezLANCIC Instituto de Física, Universidad Nacional Autónoma de MéxicoCircuito de la Investigación Científica s/n, Coyoacán04510Mexico CityMexicoSearch for other works by this author on:Eumelia Hernández;Eumelia HernándezLaboratorio Nacional de Ciencias para la Investigación y Conservación del Patrimonio Cultural (LANCIC) Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de MéxicoCircuito Mario de la Cueva s/n, Coyoacán04510Mexico CityMexico[email protected]Search for other works by this author on:Edgar Casanova;Edgar CasanovaCONACYT-LANCIC Instituto de Física, Universidad Nacional Autónoma de MéxicoCircuito de la Investigación Científica s/n, Coyoacán04510Mexico CityMexicoSearch for other works by this author on:Adrián Mejía-González;Adrián Mejía-GonzálezLANCIC Instituto de Química, Universidad Nacional Autónoma de MéxicoCircuito de la Investigación Científica s/n, Coyoacán04510Mexico CityMexicoSearch for other works by this author on:Nuria EsturauNuria EsturauLANCIC Instituto de Química, Universidad Nacional Autónoma de MéxicoCircuito de la Investigación Científica s/n, Coyoacán04510Mexico CityMexicoSearch for other works by this author on:
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CHAPTER 21: Industrial Design Objects in the Museum Environmentp431-451ByL. Toniolo;L. TonioloPolitecnico di Milano, Department of Chemistry, Materials and Chemical Engineering “Giulio Natta”Piazza Leonardo da Vinci 3220133MilanoItaly[email protected]Search for other works by this author on:A. NevinA. NevinConsiglio Nazionale delle Ricerche, Institute for Photonics and Nanotechnologies (IFN-CNR)Piazza Leonardo da Vinci 3220133MilanoItalySearch for other works by this author on:
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CHAPTER 22: From Context to Content: On the Preservation of Net-based Artp452-476ByDomenico QuarantaDomenico QuarantaSearch for other works by this author on:
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CHAPTER 23: Painted Surfaces in Contemporary Architecture1p477-499ByKay Bea JonesKay Bea JonesSearch for other works by this author on:
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